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Clover studied slasher films from the s and s which is considered the golden era of the genre and defined the final girl as a female who is the sole survivor of the group of people usually youths who are chased by a villain, and who gets a final confrontation with the villain whether she kills him herself or she is saved at the last minute by someone else - i. However, the term "final girl" is often used, especially in recent years, in a much broader sense, applied also outside the slasher genre, and to females who are not morally pure, or even who survive together with other survivors, provided the other survivors are not the main focus of the struggle. The stereotypical virginal girl contrasted with her girlfriends' promiscuity is actually largely out of use today. Furthermore, slasher films have declined in popularity in recent decades, being replaced with science fiction horror in the s, and supernatural horror in the 21 century. In fact, it has been argued that the most common female character trope of the 21st century horror is the Dysfunctional Mother female character. The final girl trope has evolved throughout the years, from early final girls most often being damsels in distress , often saved by a strong male such as a police officer or a heroic stranger , to more modern final girls who are more likely to survive due to their own abilities. Lila Crane , from Psycho , is an example of a female survivor according to Clover's definition not a final girl due to lack of moral purity who is saved by a male also named Sam Loomis at the film's ending, and Laurie Strode from Halloween is a final girl saved by someone else. On this basis, Tony Williams argues that, whilst s horror film heroines were more progressive than those of earlier decades, the gender change is done conservatively, and the final-girl convention cannot be regarded as a progressive one "without more thorough investigation". The fact that she is still alive at the end of the movie does not make her a victorious heroine. He notes that she does not conclude the film wholly victorious. Chris is catatonic at the end of the film. Williams also observes that Friday the 13th: The Final Chapter does not have a final girl, despite Trish Jarvis surviving at the end. Williams also notes that final girls often survive, but in the sequel they are killed or institutionalized. A notable example is Alice Friday the 13th who survives Friday the 13th film only to be killed in the beginning of Friday the 13th Part 2. Derek Soles argues that the tragic destiny of such final girls represents an expression of patriarchal society where capable, independent women must by be contained or destroyed. According to Clover, the final girl in many movies shares common characteristics: She sometimes has a unisex name such as Avery, Chris or Sidney. Occasionally the final girl will have a shared history with the killer. The final girl is the "investigating consciousness" of the film, moving the narrative forward and, as such, she exhibits intelligence, curiosity, and vigilance. Another trope of slashers particularly in the s is "death by sex", where sex scenes are shortly followed by violence, with the participants being murdered in gruesome ways. Buffy is a cheerleader, a "beautiful blond" with a feminine first name, and "gets to have sex with boys and still kill the monster". One of the basic premises of Clover's theory is that audience identification is unstable and fluid across gender lines, particularly in the case of the slasher film. During the final girl's confrontation with the killer, Clover argues, she becomes masculinized through "phallic appropriation" by taking up a weapon, such as a knife or chainsaw , against the killer. The phenomenon of the male audience having to identify with a young female character in an ostensibly male-oriented genre , usually associated with sadistic voyeurism , raises interesting questions about the nature of slasher films and their relationship with feminism. Clover argues that for a film to be successful, it is necessary for this surviving character to be female because she must experience abject terror, and many viewers would reject a film that showed abject terror on the part of a male. The terror has a purpose, in that the female, if she survives, is 'purged' of undesirable characteristics, such as relentless pursuit of personal pleasure. Certain films, like The Witch , can be said to subvert traditional expectations of a final girl. Examples of final girls[ edit ] Main article: Mari Collingwood While the version of the character has been viewed as more of a victim, the incarnation of the character has been observed to follow the "final girl" archetype. A Critical Study, [10] Alexandra Heller-Nicholas notes that that version of the character manifests traits of the trope, stating: In , Mari is not interested in drugs and argues it although she finally succumbs. She fights back consistently throughout her attack; she deliberately lures Krug to her parents house as a way of possibly getting help; and Krug himself even observes at one point that she is a "cool customer. The Mari was a fast swimmer and could get away she was still shot, but only in the shoulder. But the Mari was physically unable to escape, and thus her "punishment" was death. Sara Paxton's Mari in the recent The Last House on the Left is not killed, and this presents the possibility that she herself was able to enact her own revenge, a dramatic act that would have significantly moved the film from being a rape revenge film where her parents act for her, to one where the raped woman seeks vengeance on her own behalf. This depiction of her as a vacant monster continues thoughout the rest of the film. Mari is not so much a rape survivor as she is the walking dead, whose only function is to provide her parents specifically her father with a motivation for violent and spectacular vengeance. Even in the scenes where John performs emergency surgery on their living room coffee table, Mari's face is mostly turned from the camera. It is less about her reaction and trauma than it is the impact her traumatized body has on her father. Jess Black Christmas An early example of a "final girl" can be found in the film Black Christmas , where Jess Bradford , played by Olivia Hussey , is a well-developed character who refuses to back down against a series of more or less lethal male antagonists. Final fantasy xxx sex

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  1. This depiction of her as a vacant monster continues thoughout the rest of the film. During the final girl's confrontation with the killer, Clover argues, she becomes masculinized through "phallic appropriation" by taking up a weapon, such as a knife or chainsaw , against the killer. She fights back consistently throughout her attack; she deliberately lures Krug to her parents house as a way of possibly getting help; and Krug himself even observes at one point that she is a "cool customer.

  2. Williams also notes that final girls often survive, but in the sequel they are killed or institutionalized. Sara Paxton's Mari in the recent The Last House on the Left is not killed, and this presents the possibility that she herself was able to enact her own revenge, a dramatic act that would have significantly moved the film from being a rape revenge film where her parents act for her, to one where the raped woman seeks vengeance on her own behalf.

  3. A Critical Study, [10] Alexandra Heller-Nicholas notes that that version of the character manifests traits of the trope, stating:

  4. The final girl trope has evolved throughout the years, from early final girls most often being damsels in distress , often saved by a strong male such as a police officer or a heroic stranger , to more modern final girls who are more likely to survive due to their own abilities. She fights back consistently throughout her attack; she deliberately lures Krug to her parents house as a way of possibly getting help; and Krug himself even observes at one point that she is a "cool customer.

  5. Chris is catatonic at the end of the film. In , Mari is not interested in drugs and argues it although she finally succumbs.

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